Method and system for paint matching and re-touching

B - Operations – Transporting – 05 – B

Patent

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Details

B05B 5/025 (2006.01)

Patent

CA 2528881

A system is provided for touching up a chipped and scratched painted surface by applying a solvent solution to the surface, applying a selected touch-up paint, and removing a portion of the applied touch-up paint from the painted surface. The removing step includes applying a wax and solvent mixture (e.g., about 40% wax and about 60% naphtha) and then removing a residue of wax and paint by substantially immediately wiping the painted surface with a cloth. The solvent solution may include naphtha. The touch-up paint may have a tone substantially the same as the tone of the painted surface and is slightly darker than the painted surface. The touch-up paint may be prepared by selecting a first paint having the tone that is most similar within the set to the tone of the painted surface and adjusting the tone with a second paint having a tone that is in between the tone of the first selected touch-up paint and the tone of the painted surface, and adjusting the brightness with a third touch-up paint having a tone that is within a same third portion of the color wheel.

L'invention concerne un système permettant de retoucher une surface peinte écaillée et éraflée par application sur ladite surface d'une solution dissolvante et d'une peinture de retouche choisie, et par élimination de cette surface d'une partie de la peinture de retouche appliquée. L'étape d'élimination consiste notamment à appliquer une cire et un mélange de solvant (par exemple, environ 40 % de cire et environ 60 % de naphta), puis à enlever un résidu de cire et de peinture en essuyant immédiatement et sensiblement la surface peinte à l'aide d'un chiffon. La solution dissolvante peut contenir du naphta. La peinture de retouche, qui peut avoir un ton sensiblement identique à celui de la surface peinte, est légèrement plus sombre que la surface peinte. On peut préparer la peinture de retouche en choisissant une première peinture ayant le ton le plus approchant de celui de la surface peinte et en ajustant le ton à l'aide d'une deuxième peinture ayant un ton intermédiaire entre le ton de la première peinture de retouche choisie et celui de la surface peinte, puis en ajustant la luminosité à l'aide d'une troisième peinture de retouche dont le ton se situe dans une même troisième partie du disque des couleurs.

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